http://testtube.monocromatica.com/releases/tube234.htm>Blueprints for insect architecture by Daniel Maze and Dave Zeal is on high rotation at the moment. Wonderful immersive soundscapes with just hints of melody and rhythm and a very well attuned little glitchiness – almost like the background sound of scuttling termites constructing a mound. At a little under 40 minutes this makes for a nice little writing session.
I’ve just listened to Jerome’s new ambient/glitch ep 17:14 (yes, that’s the duration and the title) – here on his Bandcamp site. It’s a moody, drifty piece, with little hints of melody, tiny quiet jabs of subtle static and some delicious drones. Jerome usually releases music as NNY, and has a pretty full catalogue of downloads and media. Some of his work is a bit edgy and too glitchy for my taste, but this new ep tags it just right – enough drone and melody to balance the strong frequencies and clicks. Great music to write to – available both as a stream and free download.
Some writers write with children and dogs clambering and slobbering over them while the television blares and the elevated train blasts by the window every eight minutes and the neighbours down below argue about fishing trips and meter money. Others write in silence. I’m closer to the latter, but I do have music on pretty much always as I write. Sometimes it’s very mellow, other times a little more edgy. Here’s a selection of music which has sustained me through the task of drafting my novel.
Woob 1194 – a seminal ambient album that I’m lucky enough to actually own a copy of. Paul Frankland, the artist, has recently made the album, and some other tracks available again through bandcamp. Also listened to other em:t releases like Woob 4495, Gas 0095 and Undark 3396, as well some of the compilations.
S.E.T.I. – The Geometry of Night. This extraordinary album is somewhere between ambient and dance and science fiction. Some of the most startling rhythm patterns I’ve ever enjoyed. This is hard to find on CD, but it looks like he’s made it available on bandcamptoo.
Taylor Deupree – Northern. Taylor was part of the other S.E.T.I., not to be confused with the above (even though some sites do). Northern is minimal music, but as rich and full as can be, almost ambient but not quite. The original pressing (which I have) sold out, but Taylor did a re-issue which was a kind of re-visioning – reloading the original files with missing plug-ins so the sound is different, though I haven’t heard the new version.
Pitch Boys – O.S.T.. One of many remarkable releases on the Test Tube Netlabel (full disclosure, the Venus Vulture album Stick With Me Giselle, Things Can Only Get Better was released on Test Tube last year). O.S.T. is an hour-plus excursion into new realms.
Next post – rock.
The Venus Vulture track Distant Rainfall part 2 from the Heavy Skies EP has been included on Stroll, one of the four best of NTNS radio – AprMayJune 2009 compilations, which also includes tracks from Resting Bell and TestTube labelmates, Phillip Wilkerson, Sylvie Walder & entia non and d’incise. Mark of NTNS has been a great supporter, as well a playing tracks on the radio show, he also included a track from Signal Artifacts on the end of year compilation Sun in 2008.
It’s been a busy May, mostly creating in the background with little in the world, and little to report. Some more news is in the works, just need some crosses for the ‘i’s and dots for the … or something like that.
Some Venus Vulture tracks from the Heavy Skies EP were played on the NTNS radio podcast on May 9th. Mark has played some of my music (from Signal Artifacts) and music by other Resting Bell artists on previous podcasts. The whole show is around three hours long and also features music from morsure souffle by d’incise, also from Test Tube
The Venus Vulture album Stick with me Giselle, Things can only get better has been released on Test Tube netlabel. I’m excited about this release as I’ve long been a fan of the label and, as with the Resting Bell releases, I’m honoured to be in such esteemed company.
This is a concept piece comprised of long and short ambient tracks from a half minute to around fourteen minutes – the whole album it 53 minutes long, still a soundscape but with perhaps the most melodic stuff I’ve released so far.
Click here for the Test Tube site and download links.