Analog story – self promotion

sean analog
Self-promotion is something I still need to learn a whole lot about. I have dozens of indie books out there, but neglect mentioning them too often. Usually when they come out and they I shut up about it.
So, with a new story – “One Hundred” in the current issue of Analog Science Fiction Science Fact, it seems like a good opportunity. After all, if you’ve read and enjoyed the story, you might like to read some more of mine.
But where to start? Well, Analog stories are firmly hard science fiction – “One Hundred” is set in a Mars colony – so that’s what I’ll promote here.
Another couple of stories you might like are “Improvising at Branson Six” and “Mars Cycler Artist in Residence, 2017“. “Improvising” placed third in the Jim Baen Memorial Writing Contest some years back, the year before I won the award with “Low Arc”. Oh, that one’s around too – available free on the Baen.com website, and alson in a couple of anthologies – The Jim Baen Memorial, the first ten years, and Final Frontier, which also has an audio version.
“Mars Cycler” is a kind of another Mars story, since that’s the destination. The Mars cycler is one of Buzz Aldrin’s babies, a great way to solve the issue of getting materials and people to Mars and back. My friend Martin Shoemaker has a wonderful series – Blue Collar Space – with many stories set on a cycler. Some of these have been in Analog, so a tip of my hat to Martin here.
If you want to read something novel length, I’d suggest either (or both) Athena Setting or Gretel.
Athena Setting, is about a disaster in the orbit of Jupiter, and Gretel is about problems aboard a generation ship heading for the stars.
All good rollicking adventures.
If you want to try some of my other adventure novels, a good place to start would be Asteroid Jumpers. It’s softer science fiction, involving faster than light travel and a few other conveniences, but it is one of my personal favorites. It’s the first in a series, followed by Ice Hunters and Ship Tracers, with two more in series coming out in the next year or so – Desert Creepers and Core Runners. More rollicking adventures.

Life-Span released today

Life SpanLife-Span, a short sci-fi thriller about genetic engineering takes flight today, January 31st. It’s already February in New Zealand, so that kind of melts my brain a little 🙂

Cody Albine watches as her elegant and well-organized presentation collapses. Right in front of her last chance at getting corporate funding for the project of a lifetime. Her absolute passion

But hope lies with her friends. It might take compromise, but a little compromise between friends never goes astray.

A short biological sci fi thriller with a heart. From the author of Overrun and L-Own.

 

Available from your favorite bookseller – click the universal link here. It’s a short, so it’s priced at $2.99, and $5.99 for the paperback.

 

Chasing Oumuamua – new story in Asimov’s

 

IMG_20190523_082919With the vagaries of postage, I had two publications arrive in the mail a couple of days apart.

A couple of days back, I mentioned my story in New Zealand literary magazine Landfall.

A while before, I mentioned my story “Chasing Oumuamua” in the May/June issue of Asimov’s Science Fiction. I said enough then enough then, but receiving the actual artifact is always exciting. This is my seventh story in Asimov’s (my second this year), and I’m still surprised each time. Little old me, next to other authors like Jay O’Connell and Ian R. MacLeod. Wow.

Now, I have no more stories lined up for the rest of the year. I will be self-publishing some, of course, and I’m submitting stories all the time.

Hoping to have Red Alliance, the sequel to my middle grade novel Blue Defender, out by the end of June. Lots of business things keeping me busy too.

Thanks for reading.

 

 

Chasing Oumuamua in Asimov’s

ASF_MayJune2019_400x570Following “Ventiforms” in the January – February 2019 issue of Asimov’s Science Fiction, I’m privileged to have have a new story “Chasing Oumuamua” in the May – June issue.

“Chasing Oumuamua” is, I guess, another of my family relationships story. Ultimately I think most of my stories are along those lines. Even when there’s lots of stuff blowing up and people hanging onto blistering railings by their fingertips.

‘Oumuamua was the name given to a chunk of interstellar flotsam (or possibly jetsam) that flittered through our solar system (well, it’s still within the solar system, just that it’s on its way out and we can’t actually see it any more), first noticed in 2017.

‘Oumuamua comes from the Hawaiian ‘oumuamua, meaning scout (forgive me if I have the wrong), and I kind of like that name. Just a little scout, coming to take a look around. There’s a good overview on Wikipedia. Yes, the apostrophe comes first – something I neglected in my story.

 

While I’m here (I’m not here as often as I should be, but perhaps that’s a good thing), I’ll mention one or two other things.

I have another story coming out in Landfall, the Autumn 2019 issue which should be out in the next few weeks. “Landslide Country” is me heading into more literary territory, with a story about a retired woman finding herself coming of age, I suppose.

Landfall is New Zealand’s iconic literary magazine and I’m grateful to editor Emma Neale for taking the story. This will be my third appearance in Landfall’s pages, which is kind of cool.

This is also the first year where I’ve had three pro stories come out. Not a bad first half. I’m still somewhat startled that I’ve had even one at all, ever 🙂 I mean, seriously look at the names on the cover of Asimov’s there! Holy Money.

I’m still blogging on Pro Writers Writing – every Monday morning a new post comes out. That’s taking a little energy away from here, too, I guess. That’s okay. It stretches my brain. I am thinking that I’ll collate my posts maybe next year into a little book of my take on how to be a writer.

I do try to stay a few posts ahead on that. My posts there are a little like here too, somewhat stream of consciousness. They also come in bursts. Sometimes I’ll write three in a week, sometimes I’ll see next Monday looming and wonder what the heck I’m going to ramble about.

VentiformsAlso, “Ventiforms” my story from Asimov’s this past January, will be out as a standalone ebook on May 31st. Just in time for Geysercon. I’m moderating a panel, and sitting on another. I hope to have some print copies available for release at the con too.

Wonderful evocative illustration for the story by Kerem Gogus there. I like the image, and it’s forced me to shift around the type in places I wouldn’t normally put it. I don’t know what a professional designer would make of it, but I like it.

I’ll fill in more on Geysercon and other things in another post soon.

 

 

Crimson Birds of Small Miracles now available as a standalone ebook, and in print

asimovs-cover-jan-2016

So, this is my little story. This is the one that pushed me out of the Writers of the Future Contest.

That contest is for non-professional writers. The contest rules, as with the Science Fiction Writers of America, count professional as three professional sales. Professional as in rates from (I think) six cents per word. That’s venues like Asimov’s, Analog, Orson Scott Card’s Intergalactic Medicine Show, Clarkesworld, Fantasy and Science Fiction, and numerous others.

With Writers of the Future, you are allowed to enter until the publication of your fourth professional story.

I had been a finalist in the contest, once, and a semi-finalist three times. That’s kind of cool. Finalist is top eight, semi is top sixteen. Apparently they receive thousands of entries.

Along the way, I had three stories published in Asimov’s. “Walking Gear”, “The Molenstraat Music Festival” and “Wakers”. Honored and surprised and probably proud that I’d achieved that. Thank you, Sheila Williams, for your faith in my stories.

As I went I continued to enter the contest.

Then I got a fourth acceptance from Asimov’s.

That would put an end to my career as a serial Writer’s of the Future entrant. It’s run four times a year, and I entered in twenty-six consective quarters (I think, I’m not sure of the exact count).

With that acceptance, I had three entries left. Just. The story came out in January 2017, and I submitted my last entry in December 2016.

I didn’t win.

But the cool thing – very cool, in fact so cool I’m still surprised – was that this story, the one that meant I would never win Writers of the Future, went on to win a couple of awards itself. It took New Zealand’s Sir Julius Vogel Award for best science fiction story 2017, and it won the Asimov’s Readers’ Poll for best short story of 2017.

I kind of like that, without blowing my own trumpet too much (or have I already done that?).

Isn’t there a saying that when one door closes, another opens? I feel as if that’s what’s happened here.

Oh, it was also the cover story. I know plenty of you have had cover stories, but this was my first ever and that’s as overwhelming as anything.

Also cool, I just discovered that the previous story of mine in Asimov’s, “Wakers” got listed among the Honorable Mentions in the late Gardner Doizois’s Best Science Fiction 2016. It’s a long (long) list, in a huge book, but still, that’s kind of heartwarming.

Gardner’s passing leaves a huge hole in the science fiction world. I never had the opportunity to meet him, but I feel it. Go well.

crimson birds ebook cover smCrimson Birds of Small Miracles is now available in print and ebook.

The cover is by the marvelous artist Maurizio Manzieri, who also painted the cover for the Asimov’s issue where the story first appeared. I’ll write another post about that, I think. This is already too long.

ebook, $2.99: Smashwords, Kindle
print book, $5.99: Amazon

Thanks for reading.

If you’d like a free copy, comment here and I’ll send you a coupon for smashwords.

My story “Crimson Birds of Small Miracles” wins the Sir Julius Vogel Award

asimovs-cover-jan-2016
A few weeks back I mentioned that I was honoured to be a finalist for New Zealand’s Sir Julius Vogel Award in short story category, for my Asimov’s story “Crimson Birds of Small Miracles”.
Well it turns out that, ahem, another small miracle has occurred; the story won the award. I’m amazed and surprised. The other stories on the ballot (at least those I had the chance to read) were excellent, and the authors of those stories read like a who’s-who of New Zealand science fiction: Grace Bridges, A.J. Fitzwater, Andi Buchanan, Octavia Cade.smFront-v5

Yeah.

With other commitments, I was elsewhere during the presentations, but I thank Lee Murray for collecting the award and reading my little speech.
This is my third time on the final ballot, so it’s heartening to pick up a win.
My congratulations to the other winners – a full list here: SJV Winners 2018.
Great to see some others I know in there: Darian, Dan and Lee, and Grace, but well done all.

sjv winners 1

I will be publishing the story as a standalone ebook (and print) in the near future, with a wonderful alternative cover by Maurizio Manzieri.
And, while I’m sharing good news, I have signed the contract for another story, titled “Ventiforms”, set in the same universe, which will be coming out in Asimov’s either later this year or early next year. More news on that closer to the time.

Manzieri_CrimsonBirds_previewb

Asimov’s Readers’ poll.

asimovs-cover-jan-2016Asimov’s Science Fiction hold reader polls each year – where readers get the chance to vote for their favorite story from the past year’s issues.

I’m honored that my story “Crimson Birds of Small Miracles” is a finalist in the short story category. Amazed really.

The full list of finalists, in all categories is on the Asimov’s website.

The story is also a finalist in New Zealand’s Sir Julius Vogel Awards, so I’m doubly honored.

And, triply cool is that the fabulous cover image by artist Maurizio Manzieri for the story is also a finalist in the Asimov’s Awards. I’ll be releasing the story later in the year as a standalone ebook, with an alternative illustration that Maurizio has graciously licensed to me.

Exciting times. Fingers crossed.

___________

As a bonus, most of the stories are available for a limited time to read online for free at the site.

The Billows of Sarto – new short story in Asimov’s

asimovs march april 2018I probably wax on about my teenage dream of getting published in Asimov’s Science Fiction Magazine. This month marks the publication of my fifth story there, in the March-April 2018 issue. I’m humbled every time. That my little ol’ story gets such an honor.

Without giving too much away, “The Billows of Sarto” is set in an dormant volcanic crater, teeming with forest life and hotpools, on a far away planet (isn’t science fiction cool – I get such a fun playground). There’s an interview around somewhere with me (I’ll link to it once I find it!), but one of the questions was about my inspiration for the story.

Well, I do like volcanoes. Growing up in New Zealand, they’re all over. On a clear day, with a bit of elevation, you can see two from my hometown – Taranaki and Ruapehu.

I’ve also been lucky enough to visit volcanoes in other parts of the world too, from the volcanic plugs of the Glass House Mountains in Queensland Australia, to Rano Kau on Easter Island to Mt Fuji in Japan (well in the distance from a train).

One of my favourite places is Crater Lake National Park in Oregon. This is a genuine collapse caldera, where part of the mountain has dropped into the magma chamber (if I have those processes right). A smaller cone has even developed inside the caldera.

(photographs by Diana Monaghan – when I was there I was so in love with the place I forgot to take any. Excuse the bluriness – not Mum’s fault: mine. I photographed her photos with my phone. Sheesh).

It was fun to write the story, taking those places and reinventing them, with new ecologies and geothermal systems and, I hope, interesting characters.

Oh, it also turns out that my last story for Asimov’s, “Crimson Birds of Small Miracles”, is also a finalist in the Asimov’s  Annual Readers’ Award Poll, short story category, which is quite an honor. Maurizio’s wonderful cover art is also a finalist in the art category. Feels like that’ll need a longer post soon.

Te Kōrero Ahi Kā – To Speak of the Home Fires Burning

KoreroAhiKa-FrontCoverI have a story the new New Zealand speculative fiction anthology Te Kōrero Ahi Kā –  To Speak of the Home Fires Burning. Edited by Grace Bridges, Lee Murray and Aaron Compton.

This is a wonderful collection, and I’m thrilled to be included. There are familiar names, and some new names, which is always good.

The publisher, SpecFicNZ, exists to promote and support speculative writers in New Zealand.

I haven’t read all the stories yet, but I do like Mark English’s story especially. Despite having been writing for, well, many years now, this is the first time I’ve been in an anthology with so many people I actually know and have met in person, and consider friends.

My own story, “Dance, Tiny Particles, Dance” had an interesting genesis, dating back a couple of years when I went to enter the Gernsback Amazing Stories contest. I wrote the story, then went back to the contest guidelines and realized that, happy as I was with the story, I’d strayed significantly. (I wrote another story, which actually co-won the contest – it’s available to read for free here: “Penny of Tharsis Montes” at the Amazing Stories site).

I’m pleased that the story has found a home, especially pleased that it’s here in New Zealand too. That’s kind of cool.

Te Kōrero Ahi Kā is available directly from Amazon, and other online retailers, and should show up in local bookshops pretty soon.

KoreroAhiKa-3D

New story in Perihelion

asteroid jumpers thumbMy story “If You’re Listening, We’re Going to Try Something” will appear in the May 12th issue of Perihelion. “If You’re Listening…” features characters from my novel Asteroid Jumpers. (Which has a fabulous cover by Innovari/Luca Oleastri)

I’ve had a story set in a novel universe come out before (“Scour” in New Myths, is set in the world of my Karnish River Navigations novels), but “If You’re Listening…” is the first to include characters from the actual novel.

Trapped aboard the Zadie Captain Arlon Stoddard and navigator Eva Strong must make instant decisions if they’re going to get to safety.

The story is free to read at Perihelion.