My story (well, novelette) “Marbles”, set in the Art Worlds of Shilinka Switalla, appears in the July/August issue of Asimov’s Science Fiction.
Shilinka Switalla, an artist in the far future, creates vast, dramatic works on a scale that sometimes encompasses planets.
I’ve always been fascinated by Marble runs and, well, I’ve had fun with the idea in the story, creating the kind of complex run I’d love to be able to actually build.
This is my third Shilinka Switalla story in Asimov’s, following “Crimson Birds of Small Miracles” and “Ventiforms”. Both stories are still available as stand alone volumes as ebook and in print from Triple V Publishing. “Crimson Birds…” (ahem) won both the Sir Julius Vogel Award and the Asimov’s Readers’ Award for best short story. “Ventiforms” is currently a finalist for both the Sir Julius Vogel Award and the Aurealis Award (the links there take you to the universal book link where you can go should you feel inclined to purchase either… if you do, I thank you, I appreciate it).
In other news, I’ve had to step aside from WorldCon this year. I was excited to attend, after all, living in New Zealand, I was just a couple of hours drive away from the venue. That was pretty much a first. However with events around the world (i.e. the pandemic that’s changed the face of 2020 so much) the Con has gone virtual and in part lost its appeal, and also made it difficult for me to attend (with my limited access to and patience with tech). Hoping to get to the New Zealand Convention next year, as that unfolds.
A slower writing year this year, and still figuring out what’s happening there. Had a good jump up in the word count over the last few days (great new project that got me excited, that helps). I’ll post again soon about that, and my writing process.
In the meantime, I’m still posting weekly at prowriterswriting. My latest post is about how to celebrate completing your novel (a hint, it none of wine, fireworks nor hollering from mountaintops).
Thanks for reading. Stay safe in these strange and challenging times.
Quick post. I’ve been invited to participate in Lockdown Writers Reading, at the Palmerston North City Library YouTube Channel. I’ve done a short reading from my story “Concentration” which appeared in issue 229 of Landfall in 2015. The reading is just a couple of pages, but the whole story is available as an ebook for $2.99 through Draft2Digital (and so to a variety of bookstores). BUT! There’s also a free download of the .pdf version of the story right here on the website:
This is the blurb: Aaron loses concentration when Casey aims the car for the clifftop. But concentration is the new thing. Does he like her? Does she like him? A literary story that asks the hard questions, from the author of “Landslide Country” and “Back from Vermont”.
Listen to the short reading of the first few pages here on YouTube at the Palmerston North City Library’s channel.
Self-promotion is something I still need to learn a whole lot about. I have dozens of indie books out there, but neglect mentioning them too often. Usually when they come out and they I shut up about it.
So, with a new story – “One Hundred” in the current issue of Analog Science Fiction Science Fact, it seems like a good opportunity. After all, if you’ve read and enjoyed the story, you might like to read some more of mine.
But where to start? Well, Analog stories are firmly hard science fiction – “One Hundred” is set in a Mars colony – so that’s what I’ll promote here.
“Mars Cycler” is a kind of another Mars story, since that’s the destination. The Mars cycler is one of Buzz Aldrin’s babies, a great way to solve the issue of getting materials and people to Mars and back. My friend Martin Shoemaker has a wonderful series – Blue Collar Space – with many stories set on a cycler. Some of these have been in Analog, so a tip of my hat to Martin here.
Athena Setting, is about a disaster in the orbit of Jupiter, and Gretel is about problems aboard a generation ship heading for the stars.
All good rollicking adventures.
If you want to try some of my other adventure novels, a good place to start would be Asteroid Jumpers. It’s softer science fiction, involving faster than light travel and a few other conveniences, but it is one of my personal favorites. It’s the first in a series, followed by Ice Hunters and Ship Tracers, with two more in series coming out in the next year or so – Desert Creepers and Core Runners. More rollicking adventures.
With the vagaries of postage, I had two publications arrive in the mail a couple of days apart.
A couple of days back, I mentioned my story in New Zealand literary magazine Landfall.
A while before, I mentioned my story “Chasing Oumuamua” in the May/June issue of Asimov’s Science Fiction. I said enough then enough then, but receiving the actual artifact is always exciting. This is my seventh story in Asimov’s (my second this year), and I’m still surprised each time. Little old me, next to other authors like Jay O’Connell and Ian R. MacLeod. Wow.
Now, I have no more stories lined up for the rest of the year. I will be self-publishing some, of course, and I’m submitting stories all the time.
Hoping to have Red Alliance, the sequel to my middle grade novel Blue Defender, out by the end of June. Lots of business things keeping me busy too.
Following “Ventiforms” in the January – February 2019 issue of Asimov’s Science Fiction, I’m privileged to have have a new story “Chasing Oumuamua” in the May – June issue.
“Chasing Oumuamua” is, I guess, another of my family relationships story. Ultimately I think most of my stories are along those lines. Even when there’s lots of stuff blowing up and people hanging onto blistering railings by their fingertips.
‘Oumuamua was the name given to a chunk of interstellar flotsam (or possibly jetsam) that flittered through our solar system (well, it’s still within the solar system, just that it’s on its way out and we can’t actually see it any more), first noticed in 2017.
‘Oumuamua comes from the Hawaiian ‘oumuamua, meaning scout (forgive me if I have the wrong), and I kind of like that name. Just a little scout, coming to take a look around. There’s a good overview on Wikipedia. Yes, the apostrophe comes first – something I neglected in my story.
While I’m here (I’m not here as often as I should be, but perhaps that’s a good thing), I’ll mention one or two other things.
I have another story coming out in Landfall, the Autumn 2019 issue which should be out in the next few weeks. “Landslide Country” is me heading into more literary territory, with a story about a retired woman finding herself coming of age, I suppose.
Landfall is New Zealand’s iconic literary magazine and I’m grateful to editor Emma Neale for taking the story. This will be my third appearance in Landfall’s pages, which is kind of cool.
This is also the first year where I’ve had three pro stories come out. Not a bad first half. I’m still somewhat startled that I’ve had even one at all, ever 🙂 I mean, seriously look at the names on the cover of Asimov’s there! Holy Money.
I’m still blogging on Pro Writers Writing – every Monday morning a new post comes out. That’s taking a little energy away from here, too, I guess. That’s okay. It stretches my brain. I am thinking that I’ll collate my posts maybe next year into a little book of my take on how to be a writer.
I do try to stay a few posts ahead on that. My posts there are a little like here too, somewhat stream of consciousness. They also come in bursts. Sometimes I’ll write three in a week, sometimes I’ll see next Monday looming and wonder what the heck I’m going to ramble about.
Also, “Ventiforms” my story from Asimov’s this past January, will be out as a standalone ebook on May 31st. Just in time for Geysercon. I’m moderating a panel, and sitting on another. I hope to have some print copies available for release at the con too.
Wonderful evocative illustration for the story by Kerem Gogus there. I like the image, and it’s forced me to shift around the type in places I wouldn’t normally put it. I don’t know what a professional designer would make of it, but I like it.
I’ll fill in more on Geysercon and other things in another post soon.
So, this is my little story. This is the one that pushed me out of the Writers of the Future Contest.
That contest is for non-professional writers. The contest rules, as with the Science Fiction Writers of America, count professional as three professional sales. Professional as in rates from (I think) six cents per word. That’s venues like Asimov’s, Analog, Orson Scott Card’s Intergalactic Medicine Show, Clarkesworld, Fantasy and Science Fiction, and numerous others.
With Writers of the Future, you are allowed to enter until the publication of your fourth professional story.
I had been a finalist in the contest, once, and a semi-finalist three times. That’s kind of cool. Finalist is top eight, semi is top sixteen. Apparently they receive thousands of entries.
Along the way, I had three stories published in Asimov’s. “Walking Gear”, “The Molenstraat Music Festival” and “Wakers”. Honored and surprised and probably proud that I’d achieved that. Thank you, Sheila Williams, for your faith in my stories.
As I went I continued to enter the contest.
Then I got a fourth acceptance from Asimov’s.
That would put an end to my career as a serial Writer’s of the Future entrant. It’s run four times a year, and I entered in twenty-six consective quarters (I think, I’m not sure of the exact count).
With that acceptance, I had three entries left. Just. The story came out in January 2017, and I submitted my last entry in December 2016.
I didn’t win.
But the cool thing – very cool, in fact so cool I’m still surprised – was that this story, the one that meant I would never win Writers of the Future, went on to win a couple of awards itself. It took New Zealand’s Sir Julius Vogel Award for best science fiction story 2017, and it won the Asimov’s Readers’ Poll for best short story of 2017.
I kind of like that, without blowing my own trumpet too much (or have I already done that?).
Isn’t there a saying that when one door closes, another opens? I feel as if that’s what’s happened here.
Oh, it was also the cover story. I know plenty of you have had cover stories, but this was my first ever and that’s as overwhelming as anything.
Also cool, I just discovered that the previous story of mine in Asimov’s, “Wakers” got listed among the Honorable Mentions in the late Gardner Doizois’s Best Science Fiction 2016. It’s a long (long) list, in a huge book, but still, that’s kind of heartwarming.
Gardner’s passing leaves a huge hole in the science fiction world. I never had the opportunity to meet him, but I feel it. Go well.
Crimson Birds of Small Miracles is now available in print and ebook.
The cover is by the marvelous artist Maurizio Manzieri, who also painted the cover for the Asimov’s issue where the story first appeared. I’ll write another post about that, I think. This is already too long.
A few weeks back I mentioned that I was honoured to be a finalist for New Zealand’s Sir Julius Vogel Award in short story category, for my Asimov’s story “Crimson Birds of Small Miracles”.
Well it turns out that, ahem, another small miracle has occurred; the story won the award. I’m amazed and surprised. The other stories on the ballot (at least those I had the chance to read) were excellent, and the authors of those stories read like a who’s-who of New Zealand science fiction: Grace Bridges, A.J. Fitzwater, Andi Buchanan, Octavia Cade.
With other commitments, I was elsewhere during the presentations, but I thank Lee Murray for collecting the award and reading my little speech.
This is my third time on the final ballot, so it’s heartening to pick up a win.
My congratulations to the other winners – a full list here: SJV Winners 2018.
Great to see some others I know in there: Darian, Dan and Lee, and Grace, but well done all.
I will be publishing the story as a standalone ebook (and print) in the near future, with a wonderful alternative cover by Maurizio Manzieri.
And, while I’m sharing good news, I have signed the contract for another story, titled “Ventiforms”, set in the same universe, which will be coming out in Asimov’s either later this year or early next year. More news on that closer to the time.
And, triply cool is that the fabulous cover image by artist Maurizio Manzieri for the story is also a finalist in the Asimov’s Awards. I’ll be releasing the story later in the year as a standalone ebook, with an alternative illustration that Maurizio has graciously licensed to me.
Exciting times. Fingers crossed.
As a bonus, most of the stories are available for a limited time to read online for free at the site.