No Lack of Courage – the Cole Wright short story collection

My Cole Wright series is now at six novels, with the seventh due in July (more on that in another post). Kevin J. Anderson mentioned in a seminar I was attending that most series don’t take off until book six. Maybe that’ll be book seven for me (or eight, or nine, grin – yes I will keep writing them).

Through 2022 each time I released a new Cole Wright novel, I also put out a short story, as an ebook, a print book and, for a limited time, free to read here on the website.

There was also a novella Cold Highway, and a limited free story with that. That’s enough stories for a collection, I figure. Even though releasing a collection kind of effectively kills the sales of those individual stories. It’s nice to see them gathered together like this.

Available here from the Universal Book Link.

ebook $6.99 (preorder for March 20th), paperback $16.99, hardback $21.99 (both available now)

Contents:
Dark Fields
Schedule Interruption
The Forest Doesn’t Care
One Little Broken Leg
The Handler
Cardinals
A Steep Climb
What Do You Say Gus?
Cold Highway


Probably a good time to mention that the seventh novel in the series is almost out for preorder, for release in June.

More news on that soon.


Then there’s other writing happening. The next Captain Arlon Stoddard novel Tramp Steamers has been copyedited and proofed and we’re looking at scheduling that for October, though the next Karnish River Navigations novel Rorqual Saitu is complete, just awaiting those edits. We were hoping to have that out in August, but we might switch those around.


And then with the day-to-day writing, I’m deep in the heart of a new book which started out as, I thought in my naivety, a short story that might break 5000 words (think twenty pages) and is now somewhere north of 30,000 words. Yes, it will be another novel. This is good news for fans of my Morgenfeld Saga, on which nothing has happened for a few years (busy with other series as you see above) – the new book is tentatively titled The Wintermas Paintings and might even be out before the end of the next year.

At the risk of extending that naivety, I thought I’d pop in the draft of Chapter One below for any who might be interested. This is raw, remember, not tinkered with, not copyedited, not even proofed. But it might still give a feel for where this book is going.

Art not final – just an ai version of what it thinks of Morgenfeld’s Tower of Bats.


The Wintermas Paintings

Chapter One

Despite the size of the space, the air in the old cavernous hall was musty and damp and thick.

Jason Trone shivered, pressed up to one of the windows. The glass was cold, and from somewhere came angry bellows.

Someone shouting his name.

Far off for now. He had a moment.

Jason sat on a low wooden bench seat. It was hard and had once been polished to a fine shine. The lustre was long gone, and the vanish was cracked and pitted and discolored. Probably oak, with a strong grain and a few knots. The legs were still strong.

Lying on the bench were the spoils of his plunder. Trinkets and baubles mostly. Two iron necklaces with gold plating that was already wearing off. Some glass sapphires and emeralds set in brass brooches. The pins on two were snapped. A pair of pearl earrings that might have been genuine, but they wouldn’t fetch much.

He scooped them back into his soft leather satchel. It had been a gift from his grandmother and wouldn’t she be disappointed now with the use he was putting it to.

Jason sighed.

The windows behind stood thirty feet high. They hadn’t been cleaned in decades. A dust patina lay across them, and bright green lichens spread on some of the panes, with darker green mosses looking lush and vibrant in edges and corners of the framing.

Jason wiped at one of the windows, removing just enough dust to be able to see through. The next part of the building stood about forty feet away, and he was about level with the edge of the roof. There were rows of windows, leading down three, no four, stories. The brickwork was festooned with dead vines, as if someone had cut the poor plant off at the roots.

An orange cat strolled along the parapet–the building’s walls rose higher than the roof, so there were gutterings hidden behind. The cat stopped and turned to lick at its side, stripes showing and tail flicking.

If Jason could get around to where the cat was now, then that would give him more options. The question was how to reach it.

Looking over the hall again, Jason marveled. It would have been quite impressive back in its day.

The vaults of the ceiling was a good forty feet from the wooden floor. The remains of chandelliers hung, sad and drooping.

Across from the windows there was a long mezzanine balcony, rather than a wall. Stiff plaster pillars still showing signs of their original gilding held the floor in place, and the railing was complex and twisted. Probably wrought iron. It had once been painted white, but now the only remaining paint was a few chips, and rust showed.

Perhaps it had been a ball room, or even a throne room. Perhaps there had been huge thick woollen curtains over the windows and where he sat now had been occupied by a stage. There might have been performances held of Crespin’s The Draper’s Revenge, or any number of Peart’s complicated plays. Or chamber quartet shows.

Jason closed his eyes a moment, imagining the hall filled with chairs, the audience chattering away until a master of ceremonies stood at the stage front and cleared their throat.

Another bellow from the distance brought him out of his reverie.

Closer.

What he hadn’t figured on, when he began fleeing with his purloined jewelery, was getting chased by constabulary with the mindset of zealots. That, with finding his escape route blocked, had thrown him into disarray.

Probably shouldn’t have even taken this moment to catch his breath.

Jason scooped the pauper’s jewels back into his satchel. One missed and fell to the floor. One of the faux-sapphire brooches. It glass jewel glinted with a fabulous blue.

With a quiet curse, Jason slipped off the bench and reached around for the jewel. An big black spider scuttled away. Jason caught a glimpse of its tunneled web, leading back from a hole beneath the window framing.

As he stood, he heard another bellow.

“Jason Trone! Stay right where you are.”

The voice echoed around the hall.

Turning, Jason saw a hefty officer just at the entry door at the far end.. Dressed in a dark blue uniform with gold buttons and brocades. His hat was slightly askew and his mustache was thick.

Another officer came up behind him. A woman. Smaller, with narrowed eyes and an angry mouth.

“Stay right there,” the male officer said. “You’re nicked.”

Jason tucked the flap of his satchel in.

“Don’t think about it son.” The officer took another step.

Jason slung the satchel over his shoulder.

“Get on your knees,” the female officer said, coming around, drawing her baton.

Jason ran. He sprinted right at one of the old plaster pillars.


copyright 2023 Sean Monaghan

Late updates

So in a world in a little turmoil, it has been a while since I’ve posted here.

As with most people I suppose I’ve been in an interesting headspace. While I’ve continued to write every day, the writing has slowed down. I’ve consumed too much news and too many zombie movies. I suspect that last is perhaps something to do with attempting to deflect how terrible this pandemic is. It feels like we are an awful long way from seeing the end.

I do have three new books out, or at least available for pre-order.

Landslide Country is a collection of my more literary stories. Available now.  $5.99 ebook, $8.99 print.

Good Ship Hartford is the first novel in a new teen series – The Matti-Jay and Dub Adventures – following on with characters from The Chronicles of the Donner series. Available on preorder, coming June 30th. $3.99 ebook, $7.99 print (book one, so it’s smaller and at a discount. Book 2 Pirates is coming in August).

Chasing ‘Oumuamua is a collection of my science fiction stories. Available on preorder, coming on July 20th. $5.99 ebook, $12.99 print.

Thanks for reading. I hope to have something more soon, as I start getting my head back into writing and publishing, and away from all those zombie movies.

Take care out there.

The weeks ahead – publishing plans

The Cly front cover thumbRight now I’m busily preparing three books for publication. I’d like to have them all out by the end of May.

The first, my new novel, continues to trip me up. First, the title was not my working title, but that title doesn’t work. Titles trouble me (sometimes, more on that below). It seems the best one here is the name of the alien species (following Jack Vance’s novels The Dirdir and The Pnume, and doubtless many others.

Also the tag line (another thing that always trips me). “Earth on the verge of annihilation”. Sheesh, really. Well, that’s kind of what it’s about. Kind of.

And then, putting “Aurealis Award Finalist” on the cover by my name. Hmmm. It’s true, I have been a finalist for the award (lost out to Garth Nix there, so that’s okay). But is it okay to put it there when it wasn’t for this story? I guess I’ve kept it by my name, rather than by the title. And many authors do have all sorts all over their covers. Am I bragging too much there? Or in the right way? Should it say “Aurealis Award Finalist Author”? But then I’ve got “Author of Gretel” right underneath and doesn’t “author” twice in tags look silly?

Despite doing this for a few years now, I’m still second-guessing and learning and trying new things. I do like the cover – courtesy of Luca Oleastri/Innovari.

The other two books are stories, one a small collection and one a big collection. The first is titled “Celeste Without Gravity” and the other “Listen, You!”. I do like Celeste’s title (following on from above), not sure about the other.

Anyway, The Cly will be out by the end of this week, Celeste sometime next week and, all going to plan, Listen, You! the following week.

All in time and out of the way to get the next novel Athena Setting (my darling, see previous posts) out in early June.