Terms and Conditions, people.

contestLloyd Metcalf is an illustrator, creator of some stunning images. He’s also pretty smart with regard to business, and how creatives make a living.

As in, getting paid for the work we do.
He has a great post on his site about avoiding a particular illustration contest. The contest he names has rules that give the contest organizers the rights to the entries.

Without payment.

Basically only the winner will get paid. Meanwhile many skilled but unwary illustrators are effectively giving away the license to their works.

As I’ve gone on at length about (here, here and here), a New Zealand writing contest does something similar. Their terms and conditions effectively give the contest organizers the right to publish any entry without payment.

In the context of Lloyd’s experience, though, this is minor. It seems that the illustration contest is run by a subsidiary of a major toy and game manufacturer, with its hands in movies and other media.

Imagine giving away the rights to your design and finding it turning into the next Transformers or My Little Pony or Pokemon.

All I can suggest for creative people is to read the terms and conditions. Read them. Understand them.

With creative work, we license. That license should be fair.

Be wary.

Take care out there.

The value of a good cover

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Currently I do the illustrations for all of my book covers. I have a little bit of an art background (in fact have even had some exhibitions), so while I’m no professional I like to think that I have a reasonable idea of how to make a reasonable picture. Sometimes my covers work and sometimes not so much. Case in point here is my cover for my story Stone Goddess. I had the idea – to suit the story – of a pile of rocks that kind of looks like a statue. I attempted a blend of the rocks with the image of the statue (all rendered in Bryce). There are some elements that work, but I’m not convinced that this cover is going to sell many copies of the story (I think the story is one of my best, but so far has sold zero copies on Smashwords).

I was following Jeff Ambrose (another writer who’s inspired me on writing goals) and found his post about working on his covers. Now I though his covers were pretty good to start with, but some of his new ones are just leaving me in the dust. Look at the one here (used with his permission for illustrative purposes) for his story The Stone Goddess. Wow (and yikes, practically the same title). That illustration is so professional that it ought to help him sell an awful lot of copies of the story. (I’m terrified to read his story for fear that not only is the cover better, but so is the story).

That said, he is using dreamstime (an online resource where artists sell the rights for the use of their illustrations), so the covers are going to be pretty professional. Maybe I should take a lesson from Jeff and start investing a little money, rather than time – especially when a cover isn’t working out so well.

Maybe I’ll buy one of Jesse-lee Lang’s illustrations (she did the picture on the cover of Jeff’s story), and go head-to-head with Jeff.

NB: Cover Art Copyright © by Jesse-lee-Lang, Dreamstime.com