Tag Archives: geysercon

Geysercon in Rotorua, Queen’s Birthday weekend

I’ll be at Geysercon in Rotorua Queen’s Birthday Weekend, Saturday May thirty-first and Sunday June first. If you happen to be there, please stop me and say hello.

I am on two panels. The first I’m the moderator (so hopefully I’ll shut the face up and let the panel members do the talking), and the other I’m a panel member.

I’m moderating the panel To Boldly Go: Ships in SFF featuring Kodi Washere, Dave Hadwin, Carleton Chinner, and Guest of Honour Alena Van Arendonk. Fortunately, having been in touch with the others, they know their spaceships and their SF way better than me. I feel privileged to be along for the ride.

I’m a panel member on Scripts to Screen. So I’m relatively inexperienced on this one, so we’ll see how it goes. I offered to be on the panel since I have licensed the film rights to one of my stories. That’s exciting, though I am very conscious that it’s a long way from rights to sitting in a theatre watching a finished film. I’m excited by the director and his energy for the project, but it is very early days right now. We’ll see.

That story is “Ventiforms” which appeared in the January/February issue of Asimov’s. The story is available as a pre-order ebook, with full release on the first day of conference. From Amazon and various other retailers. Also available as a nice little print book on Amazon too (actually available right now, since I haven’t yet been able to figure out how to do a pre-order with the print versions). I will have a few print copies with me at the conference.

The other two panelists, Jean Gilbert (moderator) and Claire McKenna, have far more experience than I do. Expect starry eyes from me there.

I have been a fan of film since I was a kid. One of my day job bosses years ago loved film too and he had this cool way of rating a film. Any number from one to fifty-two. A film with a rating of fifty-two was for films that people who see a film a week should see. A rating of one was for films that people who go to a film a year should go and see. As in, this is the ‘film of the year’.

Me, I usually saw more than fifty films in a year. And I still do. The arrival of Netflix has upped that number. Whew.

So I like to think that I have some understanding of the process of short story/novel to script to film. As in a novel is a different medium to film, so things don’t necessarily work interchangeably.

The example I like to use is how in Blade Runner, based on Philip K. Dick’s novel Do Androids Dream of Electric Sheep, the entire third act of the film is an extrapolation of a single sentence in the book, in effect.

Similarly, whole tracts of novels’ storylines are left out of films based on them.

As well as “Ventiforms”, there will be copies of some of my other books on sale at the convention bookstore. And please do introduce yourself if you’re there.

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Chasing Oumuamua in Asimov’s

ASF_MayJune2019_400x570Following “Ventiforms” in the January – February 2019 issue of Asimov’s Science Fiction, I’m privileged to have have a new story “Chasing Oumuamua” in the May – June issue.

“Chasing Oumuamua” is, I guess, another of my family relationships story. Ultimately I think most of my stories are along those lines. Even when there’s lots of stuff blowing up and people hanging onto blistering railings by their fingertips.

‘Oumuamua was the name given to a chunk of interstellar flotsam (or possibly jetsam) that flittered through our solar system (well, it’s still within the solar system, just that it’s on its way out and we can’t actually see it any more), first noticed in 2017.

‘Oumuamua comes from the Hawaiian ‘oumuamua, meaning scout (forgive me if I have the wrong), and I kind of like that name. Just a little scout, coming to take a look around. There’s a good overview on Wikipedia. Yes, the apostrophe comes first – something I neglected in my story.

 

While I’m here (I’m not here as often as I should be, but perhaps that’s a good thing), I’ll mention one or two other things.

I have another story coming out in Landfall, the Autumn 2019 issue which should be out in the next few weeks. “Landslide Country” is me heading into more literary territory, with a story about a retired woman finding herself coming of age, I suppose.

Landfall is New Zealand’s iconic literary magazine and I’m grateful to editor Emma Neale for taking the story. This will be my third appearance in Landfall’s pages, which is kind of cool.

This is also the first year where I’ve had three pro stories come out. Not a bad first half. I’m still somewhat startled that I’ve had even one at all, ever 🙂 I mean, seriously look at the names on the cover of Asimov’s there! Holy Money.

I’m still blogging on Pro Writers Writing – every Monday morning a new post comes out. That’s taking a little energy away from here, too, I guess. That’s okay. It stretches my brain. I am thinking that I’ll collate my posts maybe next year into a little book of my take on how to be a writer.

I do try to stay a few posts ahead on that. My posts there are a little like here too, somewhat stream of consciousness. They also come in bursts. Sometimes I’ll write three in a week, sometimes I’ll see next Monday looming and wonder what the heck I’m going to ramble about.

VentiformsAlso, “Ventiforms” my story from Asimov’s this past January, will be out as a standalone ebook on May 31st. Just in time for Geysercon. I’m moderating a panel, and sitting on another. I hope to have some print copies available for release at the con too.

Wonderful evocative illustration for the story by Kerem Gogus there. I like the image, and it’s forced me to shift around the type in places I wouldn’t normally put it. I don’t know what a professional designer would make of it, but I like it.

I’ll fill in more on Geysercon and other things in another post soon.