Two New Ambient Albums from Shadows on the Snow

 

It has been a while since I’ve posted about new music here. Some of you may know that while I’m primarily a writer, I also tinker with ambient music. I release solo works as Venus Vulture,  but I am also one half of the band Shadows on the Snow, with Kendall Keeler of December Nightskies. We trade files back and forth, building up tracks that way (Kendall’s based in the U.S, I live in New Zealand. Our plans to meet up earlier this year were put on hold thanks to the pandemic).

We have two new releases, available now from Bandcamp.

SHADOWS ON THE SNOW SHADOWS IN THE ARCHITECTUREThe first is Shadows in the Architecture. One long, evolving track, complemented by three shorter tracks. 

I really like this one. Unusual. Experimental. Quirky, even.

I’m especially happy with the cover. That’s taken from a building near where I live. Photographed around sunset, with the strange light and shadows highlighted. It feels appropriate for the release.

 

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Vapor Release possible cover imageThe second is Vapor Release. Again, a long evolving track that goes through several phases.

Kendall and I are fans of dark, moody tracks and I feel that this one really exemplifies where we’re at with our approach to music.

Kendall also collaborates with Charlie Naked, release music as Something Like Squids – check out those releases, all available through the December Nightskies Bandcamp page.

Muscari TZ.-1 : New Venus Vulture album out now.

Venus VultureWhile for the most part I pursue writing as my main creative outlet, from time to time I also create ambient music.

With Kendall Keener of December Nightskies I make up one half of Shadows on the Snow. We exchange music back and forth, remixing snippets of each others work to create something new. Most of our combined music appears on archive.org, some on netlabels and  occasional pieces appearing on compilations.

Solo I make music as Venus Vulture. My latest release is Muscari TZ.-1. The long, ambient tracks, with deep levels of repetition. I’m a fan of FM3’s Buddha Machine, so much of my recent music has reflected some of that repetition aesthetic.

I first started writing music because I liked having something in the background while I wrote stories. I couldn’t find enough, so Venus Vulture was born.

Musicari TZ.-1 is available on Bandcamp. You can stream it there. If you’ve read this and it sounds like you might like a listen, PM me/comment and I’ll send you a free download link sometime in late May.

December Nightskies – Rainbowdrone

rainbowdroneKendall-my Shadows on the Snow bandmate- has a solo adventure as December Nightskies. Prolific ambient musician that he is, he has numerous releases on various netlabels – Haze, Petroglyph, Zenapolae, etc.

His latest release, however, is a physical CD from This Winter Will Last Forever. Kendall’s CD is right at the edge of the label’s usual fare, which tends more toward the metal end of the music spectrum. I guess the dark-metal, dark-ambient collision makes for a good fit.

Anyway, after many years of collaborating with Kendall, and listening to numerous downloads of his, it was very cool to listen to a physical CD. Yes I do like CDs.

Rainbowdrone fits right there with my list of “music to write to”, or perhaps Eno’s “interesting enough to be engaging, discreet enough to be ignored” (I can’t find the exact quote). An hour of background drones, at times deep and dark, at other lighter. Perfect to put on to unwind, chill, relax. Or write to.

When I first began listening to ambient music it came from a love of that background soundscape that worked well with my writing. It’s cool to personally know someone who’s creating exactly that.

Rainbowdrone is available for €7 from This Winter Will Last Forever’s store.