Terms and Conditions, people.

contestLloyd Metcalf is an illustrator, creator of some stunning images. He’s also pretty smart with regard to business, and how creatives make a living.

As in, getting paid for the work we do.
He has a great post on his site about avoiding a particular illustration contest. The contest he names has rules that give the contest organizers the rights to the entries.

Without payment.

Basically only the winner will get paid. Meanwhile many skilled but unwary illustrators are effectively giving away the license to their works.

As I’ve gone on at length about (here, here and here), a New Zealand writing contest does something similar. Their terms and conditions effectively give the contest organizers the right to publish any entry without payment.

In the context of Lloyd’s experience, though, this is minor. It seems that the illustration contest is run by a subsidiary of a major toy and game manufacturer, with its hands in movies and other media.

Imagine giving away the rights to your design and finding it turning into the next Transformers or My Little Pony or Pokemon.

All I can suggest for creative people is to read the terms and conditions. Read them. Understand them.

With creative work, we license. That license should be fair.

Be wary.

Take care out there.

Sunday Star Times short story contest – rules need an overhaul

2019 update – I note that they haven’t changed the rules, so the below still applies. Disappointing. Not even bothering to write a new post this year.

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Last year and the year before I posted about why I wouldn’t enter the Sunday Star Times short story contest. The same applies this year. Without going over the same old ground too much, it comes down to one clause in their rules (scroll down to T&C), where, by entering, you give them the right to publish your story “without fee”.

As I said before, writers get paid.

I write for the love of writing, but I also take myself seriously as a writer. I license my stories for remuneration. Kind of along the lines of how anyone with skills does work for remuneration. The bus driver, the plumber, the dairy owner where you buy your copy of the Sunday Star Times.

Goodness knows, most writers make little enough money as it is.

If you’re so inclined, by all means, enter. The entry details are here. Check those terms and conditions (I know we live in a world of clicking ‘agree’ to terms and conditions without having read them. Some T&Cs out there are as long as a few of my novels).

I would love to enter for the chance of winning. I know the thrill of winning a writing contest. I know the satisfaction of banking a cheque. But that clause is a step too far.

Of course many writers will enter the contest. The newspaper will find an excellent story and publish it and pay the writer the prize money (it’s pretty good prize money too). But then, the newspaper might publish some of the other entries “without fee”.

It’s simply no way to treat writers.

Why I didn’t enter the Sunday Star Times Short Story contest this year.

2019 update – I note that they haven’t changed the rules, so the below still applies. Disappointing. Not even bothering to write a new post this year.

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sst-logoThe Sunday Star Short Story Contest is an established New Zealand contest. For the most part it’s run annually. With the disappearance of The Katherine Mansfield Short Story Award, the Sunday Star is now, as far as I can tell, the major New Zealand short story contest. And one of few that does not ask entrants for an entry fee.

The prize is substantial. $1000. For a 3000 word (maximum) story. That’s about thirty-three cents a word. Getting into the non-fiction per word payment range. Pro-fiction rates get up around ten cents a word, mostly around six to eight cents.

That tells me I should enter.

I’ve been long-listed for the contest in the past. My writing’s getting better. I’m losing eligibility for other contests because of my pro/almost-pro status.

So I wrote a story. I’m pretty pleased with it. I got it proofed and ready to go.

I went to the site to enter. That’s easy. Fill out the form, attach the document, click the ‘enter’ button. By entering I agree to the rules.

You know those sites we sign up for and we tick the box to accept the terms and conditions? Some of those documents are massive. We put our trust in them. Mostly that’s just fine.

Anyway, I decided I should read the rules. Really there were only eighteen. A little more than a page. Compared to some of those ‘terms and conditions’ documents, nothing more than an eye blink.

In the past the Sunday Star Times Short Story Contest. offered prizes to the first, second and third place-getters. Now, it’s just one prize. That’s okay. Things change.

– Open to permanent residents only. Check.

– Maximum of 3000 words. Check.

– Maximum of one entry per category. Check.

– Original work. Check.

– The finalists’ names, entry details, biographical information and photographs will be required by Fairfax Media and will be used for promotional purposes without compensation. You consent to this use of your details by entering the competition and agree to your name being published without notification or prior approval.

Uh. Hold on. “Without compensation”? Oh well, I suppose that’s all good promotion. Name and photo in the paper, if I happen to be a finalist. Nice for the ego and so on.

Okay. On with the rules.

– All entries submitted remain the property of the entrant. However (my italics), Fairfax Media and Penguin Random House New Zealand have the right to publish the winning and highly commended manuscripts of the Open Division, Secondary School Division and Non-Fiction Essay entered without fee. (my bolding).

What? “Without fee”? Really? So that amounts to: If I enter they’ll be able to publish my story without paying me.

It does say ‘winning and highly commended’, but it doesn’t say what constitutes highly commended. From my point of view anyone who gets it together to write a story and send it off should be highly commended. It takes courage and effort. Well done. If that’s the criteria, then any and every entry could qualify for publication ‘without fee’. Oh, except for the winning entry.

While I’m having a rant; right now there’s a New Zealand magazine that publishes a short story each month. As I understand it they take a vote or something at the end of the year and choose a winning story from those twelve and give that writer a prize. The other eleven do not receive anything save publication. I’m not even clear that they get copies of the issue in which they were published. Effectively those stories appear ‘without fee’.

This is why I didn’t enter. Writers get paid. The journalists in the paper and magazine who write the articles about the treaty and the housing crisis and climate change all get paid.

And that’s why I didn’t enter. That story I wrote? I’ll be sending that off to a paying market.

James White Award Longlist

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My story “The Old Fighting Goose” made it to the recently announced James White Award Longlist. I can mention this now because the blind judging has been completed and the story didn’t get on the shortlist. With over 350 entries, I’m pleased to have at least reached the last 22.

Best of luck to the finalists for the winners’ announcement at the BSFA Awards Ceremony in Manchester over Easter.

This is the last time I’m allowed to enter. From the rules: “The James White Award Short Story Competition is open only to non-professional writers.” The award is an annual contest and with a forthcoming publication this August I will qualify for professional status and lose eligibility for next year. Still it has been fun entering each year.

Now, editors, watch out. “The Old Fighting Goose” will be landing in your inbox soon.