Kernel – available from Digital Science Fiction

18 August, 201617 August, 2016 ~ Sean Monaghan ~ Leave a comment

My short story ‘Kernel’ has just been published as a standalone by Digital Science Fiction – available from Amazon for a princely 99 cents. I understand it will also be included in one of Digital Science Fiction’s anthologies later in the year.

Originally published in Aurealis, Kernel is one of my quirkier stories. Well, I like to think so.

I love the new cover – gives a perfect hint of the story (my thanks to the artist – though I don’t know who it is).

Story blurb:
Genn’s stuck in a spaceship with more questions than answers. He remembers an accident, but no one on board is giving him a straight answer. And the kernel that’s supposed to be helping him recover seems helpful, but does more deflecting than anything.

‘It will help you through the transition,’ the medical team had told him.

‘Transition to what?’ he’d asked, but they had just smiled and left him in the post-op room with the sounds of the rattling hospital for company. There might have been an accident. He remembered Janice yelling at him on the freeway. Was it a transition to a life without a family?

‘Transition,’ the kernel said, ‘through the light barrier.’

100,000 words. So far.

15 March, 2016 ~ Sean Monaghan ~ 5 Comments

A slower start this year, but I’ve still hit over a hundred thousand words so far. That’s averaging a bit over 1400 a day. I’d like to be at 1500, but hey. I think that’s a little bit of “failing to success” (Dean Wesley Smith has a good article about that, here, from 2014, but the idea of achieving well, but slightly below your goals is still relevant). My overall posted goal for the year is a half million words, so I’m well on target for that.

I’ve published one novel (The Eye, the third volume in The Hidden Dome trilogy. I’ve also completed the draft of a contemporary thriller, written and submitted a couple of science fiction stories, and I’m halfway through the draft of a Canal Days, the sequel to last year’s Arlchip Burnout. Hope to have that out later in the year.

I’m in the process of prepping the next two sci-fi novels – Gretel and Cisterns, both standalones (at the moment). Should have those out by the end of March and the end of April respectively.

I do need to get on top of print versions. Haven’t got to that for The Eye yet, so there’s a dropped-the-ball moment. Should get that out with print versions of those other two. I should also bundle the three books of The Hidden Dome series so people can get the series as a set.

I’ve had a story in Aurealis and have signed contracts for another couple of stories coming out later this year (one a reprint). More on those closer to the time.

My story “The Molentstraat Music Festival” from the September 2015 issue of Asimov’s is a finalist in the Asimov’s Readers’ Poll and also in the Aurealis Awards. That’s pretty cool. I’m hoping it will also get on the ballot for New Zealand’s Sir Julius Vogel Award.

As Shadows on the Snow, with Kendall from Decembernightskies, we’ve also had more music come out this year. Feels like something for another blog post.

I do need to update my website. Seriously. Need to learn more about marketing. And discoverability. Also that garden that needs one or two weeds (or more) pulled.

So, even with a few glitches of my own making, I’m happy with this start to the year. How is yours going?

The Root Bridges of Haemae in Aurealis

7 February, 20167 February, 2016 ~ Sean Monaghan ~ 2 Comments

My story “The Root Bridges of Haemae” is out now in Issue 87 of Australia’s Aurealis Magazine, edited by the renowned Dirk Strasser.

Described as “a resonant off-world story featuring a truly alien culture”, young alien Ribolee struggles with human and alien relationships.

This story made last semi-finalist in the Writers of the Future contest. I’m pleased that it’s found a home, especially with Aurealis.

The full issue includes stories by Ian Bell and Deborah Sheldon, as well as interviews and reviews. Available from Smashwords for $US2.99.

Aurealis is expanding. For a long time the publication had been restricted to submissions from Australian and New Zealand contributors, but now it’s going global.

Here’s the story’s opening:

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Human females survive the birth of their children.

Astonishing.

Ribolee ran this revelation around in her head again and again as she walked home from their camp.

Human females survive the birth.

And not only that, they sometimes have just one child. Imagine. A single child. How could that be? How could a species come to be with such a clear hindrance to its own survival?

Around her, the jungle dripped. The midday rains had been shorter today. She liked this time of year: summer almost here, but still cooler and the rains diminishing. The full seasons were far wilder: the dry of summer when the ground became bristling and crackly, the leaves darkened and swelled, animals howled and rushed; the wet chill of winter when the rivers burgeoned, the ground became a swamp and the rain could last for suns on end.

______________________________________

I’m lucky enough to have my story complemented by a wonderful illustration by Dion Hamill. Thanks Dion.

“Kernel” published in Aurealis

6 June, 2013 ~ Sean Monaghan ~ Leave a comment

My story “Kernel” has just been published in Aurealis, one of the leading Australian science fiction magazines. It’s complemented with a nice illustration by Matt Bissett-Johnson.

The issue, edited by Stephen Higgins, includes a story by Sophie Masson, an article on Kim Wilkins by Kate Forsyth, Carissa’s Weblog by Carissa Thorp as well as numerous reviews. It available now through the Aurealis website. The magazine is a $2.99 download, or $19.99 for a twelve month subscription.

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Opening paragraphs:
They had given Genn the kernel right after the operation, when he was still feeling somewhat woozy and disoriented. This was in April, a month and a half before departure. The kernel was the shape and colour of a single corn seed: deep yellow at the broad end, tapering to a white tip. It was the size of grapefruit, occupying, when he held it—as he often did—the whole of the palm of his hand.
‘It will help you through the transition,’ the medical team had told him.
‘Transition to what?’ he’d asked, but they had just smiled and left him in the post-op room with the sounds of the rattling hospital for company. There might have been an accident. He remembered Janice yelling at him on the freeway. Was it a transition to a life without a
family?
‘Transition,’ the kernel said, ‘through the light barrier.’