New Venus Vulture track on Xernex compilation album – Into Hidden Visions

a3899940275_10With some upcoming writing news any day now, it’s cool to have some music news.

By day I’m a writer, by night I tinker with ambient music as Venus Vulture. There are a few Venus Vulture releases around, as well as numerous collaboration albums with Kendall of December Nightskies as Shadows on the Snow. I’m also grateful to Kendall for steering me toward some compilations (like this one).

The lastest Venus Vulture track, ‘Basalt Arches’, is out now on the Xernex compilation Into Hidden Visions – a free download from Bandcamp. My track’s a slight departure for me; less drone, more busy-ness. There are even some drums.

There’s quite a line up of artists there. I’m pleased to be able to discover some new people and new sounds.

Here’s the list, taken from discogs (link also includes more images).

Various  ‎–  Into Hidden Visions, Label: Xernex ‎– XE40
1 –December Nightskies – Then Darkness Covered The Land 05:29
2 –Badrich – Bog Corpse 06:15
3 –Grodock – Abgleiten 04:21
4 –Visqueen (2) –  Downers 03:35
5 –ELMA – The bridge 03:35
6 –BERTHELOT Perturbateurs endocriniens 05:53
7 –Jimmy Watt – Caronte on the banks of the seventh sea 06:36
8 –ZUMAIA – Intense Drama 02:11
9 –Twilight Of Emptiness – Black Stars 03:24
10 –Paranoid Movement – The Hunt 05:12
11 –Venus Vulture – Basalt Arches 03:32
12 –Nebelwächter, Thomas Bannier – Birdtalker 05:24
13 –Thlaaflaa – The Gospel 04:46
14 –Goat tunnel – Last Sorrow Drained 06:29
15 –VAULT (6) – Eridamus Weeping 06:10
16 –[ówt krì] – Attention 04:33
17 –Krāllār – Faster 02:29
18 –L_Arsenne – Âme noire 05:19
19 –No-Joy – Sperma 05:11
20 –PKWST – Untitled 04:06

Environments – experimental music compilation from Scriptsound Recordings.

environments - ArtworkI’m pleased to have the Venus Vulture track “A Sidelong Glance Reminds Jeanne of the Time She Lost Her Keys” appearing on the ScriptSound Recordings “Environments” compilation. This is a new venture for me – into some darker and busier sound work – and I’m pleased to say I feel right at home with the other artists there. Some familiar names too – nobodisounz, December Nighskies (thanks Kendall for the pointer).

It’s a free download from archive.org.

Full Tracklist:
1. La Horde Poliorcétique – Berthelot
2. A Sidelong Glance Reminds Jeanne Of The Time She Lost Her Keys – Venus Vulture
3. If I Were Invisible – Ricky Tesla & The Noise Generator
4. A Temporary Thing – Ricky Tesla & The Noise Generator
5. Spirits At The Crossroads – Ian Quiet
6. Consumed By Midnight – December Nightskies
7. Strangers In A Foreign Land – Ricky Tesla & The Noise Generator
8. Low Matter – nobodisoundz
9. Liberation – Dr. NoiseM
10. Abandoned Machinery Succumbing To Nature – Ricky Tesla & The Noise Generator
11. Esthetique Des Publicites Lumineuses – Painful Defecation
12. Matanza – 5ebuts
13. Sleepless Hysteria – Sir Edgar Carpenter

Venus Vulture track on Behemoth Compilation

behemoth20various20artists20compilation20coverKendall Keeler of December Nightskies has put together another compilation of ambient and dark ambient tracks.

Behemoth has 21 tracks by various artists, including my own Venus Vulture track “Components From Air Filter Residue, Daytona Speedway, February 2016”. One of my longer pieces – a little over 14 minutes – that I hope covers a lot of ground, while still being very unobtrusive.

I also sneak in with a Shadows on the Snow (my collaboration with Kendall) track “The Snake is on the Prowl”.

This follows Kendall’s Leviathan compilation from October/November last year. Many of the same artists return. This is shaping up to be a fine series of eclectic sounds. I’m honored to be a part of it.

Behemoth tracklisting – total time is almost 3 hours
1. BERTHELOT – La caverne du Behemoth
2. December Nightskies – Heaven Or Hell
3. Ari Porki – A Great And Mighty
4. Sean Derrick Cooper Marquardt – Short Poem For Aretha Cooper
5. eisenlager – NCC-1701
6. Venus Vulture – Components From Air Filter Residue, Daytona Speedway, February 2016
7. Everything From Nothing And Head Joint – The Revolutioner’s Dream
8. Gun Urrainn – Discontact
9. Globoscuro – The Glowing Eye Of NGC 6751
10. Something Like Squids – Imaginary Fireflies (Excerpt)
11. Pixyblink – Observer J
12. nobodisoundz – blakk solarsolstice
13. Shadows On The Snow – The Snake Is On The Prowl
14. Hilyard – Exodus
15. Robert G. Rough- 42 Days (Part 3)
16. CNTV – Renace
17. December Nightskies With Scott Lawlor – The Judgement Of Satan (Excerpt)
18. Mach Feedback – A Fool For Illusions
19. Oystein Jorgensen – Cold Wave
20. VAULT – Presents for Katherine
21. Sir Edgar Carpenter – Perversis

100,000 words. So far.

hard at work 1

A slower start this year, but I’ve still hit over a hundred thousand words so far. That’s averaging a bit over 1400 a day. I’d like to be at 1500, but hey. I think that’s a little bit of “failing to success” (Dean Wesley Smith has a good article about that, here, from 2014, but the idea of achieving well, but slightly below your goals is still relevant). My overall posted goal for the year is a half million words, so I’m well on target for that.

I’ve published one novel (The Eye, the third volume in The Hidden Dome trilogy. I’ve also completed the draft of a contemporary thriller, written and submitted a couple of science fiction stories, and I’m halfway through the draft of a Canal Days, the sequel to last year’s Arlchip Burnout. Hope to have that out later in the year.

I’m in the process of prepping the next two sci-fi novels – Gretel and Cisterns, both standalones (at the moment). Should have those out by the end of March and the end of April respectively.

I do need to get on top of print versions. Haven’t got to that for The Eye yet, so there’s a dropped-the-ball moment. Should get that out with print versions of those other two. I should also bundle the three books of The Hidden Dome series so people can get the series as a set.

I’ve had a story in Aurealis and have signed contracts for another couple of stories coming out later this year (one a reprint). More on those closer to the time.

My story “The Molentstraat Music Festival” from the September 2015 issue of Asimov’s is a finalist in the Asimov’s Readers’ Poll and also in the Aurealis Awards. That’s pretty cool. I’m hoping it will also get on the ballot for New Zealand’s Sir Julius Vogel Award.

As Shadows on the Snow, with Kendall from Decembernightskies, we’ve also had more music come out this year. Feels like something for another blog post.

I do need to update my website. Seriously. Need to learn more about marketing. And discoverability. Also that garden that needs one or two weeds (or more) pulled.

So, even with a few glitches of my own making, I’m happy with this start to the year. How is yours going?

2015: The year that was

japan 1drt6gAs far as writing years go, 2015 was pretty good. I’ve acheived my goals, realized some dreams, and learned a few lessons.

I had numerous publications over the course of the year, and was pleased to be in the pages of Asimov’s Science Fiction and Landfall once again. My second stories in each of those magazines, over consecutive years, and that suggests to me that the first wasn’t a fluke. I may actually be doing some things right.

I also had stories in Perihelion, Capricious, Takahe, SQMag and Andromeda Spaceways Inflight Magazine. A good mix of literary and science fiction.

Good news on the competition front too. I was first equal in the Gernsback Amazing Stories innaugural competition this year for my story “Penny of Tharsis Montes”. That should be out in the first issue in February.

I self-published numerous short stories, and five novels. Sales of these have been unspectacular. Included in the plans for 2016 is more learning about marketing, discoverability and the like. I’m confident I have a good product: I lack the skills to get it noticed.

I’ve also taken more courses and read more books about writing and business. I’ll continue that next year.

As Shadows on the Snow, Kendall and I had a lot of music come out. Kendall’s brilliant at getting the stuff out into the world. Thanks Kendall!

I managed to fit in a jaunt to Japan (hence the photo), which was fabulous. Almost a month there visiting Hiroshima, Kyoto and Naoshima Island among other places, sampling okonomiyaki (yum) and green tea ice cream (not so yum).

For the fourth year running I wrote every day (including on the trip, albeit slower). Also for the fourth year in a row, I wrote over a half a million words. Funny thing; the goal is 500,000, but I hit that on November 19th. With forty-one days left, I wondered what to do. Why not write another novel? So I ran with that. Athena Setting will came in at around 57,000 words and I’ve just finished it tonight, New Year’s Eve (squeaked in at 11.59). These days, it’s not often I’m up at midnight for new year, but there you go. I celebrated finishing the novel (as I usually do) by starting the next piece. Might even be a new novel.

For the first year since starting that word count, I also published over a half million (about 100,000 over that – not bad). I have more words (should say complete stories/novels) written this year and last, that haven’t made it out yet. Next year.

Next year’s goals remain the same, with clear additions. Write every  day, write a half million words, and publish ten novels. Also; learn a whole lot more around business and marketing and so on.

Happy New Year everyone.

 

New Venus Vulture track on Leviathan compilation

So mostly I’m talking about writing here, but on occasion I have some of my music as Venus Vulture show up.

My ambient track “Night of Cerulean Sharks” has just come out on Petroglyph Music‘s Leviathan compilation from Kendall Keener of December Nightskies. I’m stoked to be included among such a cool group of ambient and experimental musicians.

It’s available to stream from Petroglyph Music’s Bandcamp site, and for free download through Archive.org.

Half-year review

Well, I haven’t had much to say lately, which is fine. Very busy writing, naturally, just not so much on the blog/facebook, etc. Since the end of June has slipped by, I thought I’d do a quick review, as much for my benefit as anything.

A few publications around – “Salazar” in Perihelion, “Number Man” in SQ Mag, and “Concentration” in Landfall. It seems like a very slow year, but I’m focusing on two things: submitting to more pro and fewer semi-pro mags, and also writing fewer stories and more novels. This means there’s less stuff out there. I’ve had a few other acceptances, which I’ll announce when they arrive in stores.

Perihelionsq-mag-19-cover1LF229
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Music-wise, there have been some Shadows on the Snow releases and one Venus Vulture release.00_-_shadows_on_the_snow_400Mu cover 1Nudibranch on Zenapolae
I don’t think that’s all of them – I have trouble keeping up with Kendall and his sheer enthusiasm!

Check here for A Thousand Winters Against the World. Others can be found at archive.org, Bandcamp, Kruk Records and Zenapolae.
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With the self/indie-publishing, I’ve put up quite a few items, including three novels (one horror, one literary and one sci-fi). I’ve got a few more in various states of readiness (and some more in my head). These show up at smashwords, Amazon and other ebook/physical book retailers.
the room pod 6x9 5sw second run cover 3Arlchip Burnout cover 10 smallWalking Gear2b
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The business of writing-words on the page-has progressed well too. Despite a slower time while travelling in Japan, I’ve still completed a quarter million words for the first six months of the year. I guess that’s what writing every day (even while travelling) does.

Better yet, I’ve completed more words so far this year. That is, items proofed, corrected and formatted. Over 300,000 words. Over the past few years I’ve let some items sit around (including a 92,000 word novel), but I’m feeling more onto it this year. It’s all very well to write, but if it’s not finished and submitted/published then I’m not satisfied. It feels good to be getting some of last year’s (and the previous year’s) stories completed.

Similarly, I’ve published more – 340,000 words so far. Yes most of that is indie/self published. Likewise, it feels good to have the writing out there.

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For the next six months. More of the same. I’d like to get another five to seven novels out. I’ve promised readers The Eye book three in The Hidden Dome series, so I need to write that (I expect to finish the draft of the current novel in the next few days, then get to writing The Eye). I have a few other novels fully drafted, just needed that final tinkering. That does mean more proof-reading/reader feedback, and more formatting.

The main thing, though: I’m having a ball. Thanks for reading.

Walking Gear image © Artem Popov | Dreamstime.com
Arlchip Burnout image © Kuan Leong Yong | Dreamstime.com
Used with permission

Nudibranch – new ambient album on Zenapolæ

Nudibranch on Zenapolae
Nudibranch on Zenapolæ
No writing news lately, but the Zenapolæ netlabel has just released my Venus Vulture ambient album Nudibranch.

On a visit to the small but cool Santa Monica Aquarium, I saw these wonderful, graceful and peaceful creatures, drifting and swimming. Their langorous movements and transparent bodies inspired some tranquil music and I’m glad it’s found a home.

The cover is from a photo I took at the aquarium. These are Lion’s Mane nudibranches, one of dozens (well 2300 maybe) of species. Nudibranches are molluscs that shed their shells when they move into adulthood.

Mu

Mu cover 1No publishing news of late, but I have managd to squeeze in a little time for some music. Lately I’ve been collaborating with Kendall of December Nightskies in remixing each other’s work and creating new pieces. Mu is about the latest, a 2-track 25 minute ep under the tag “dark ambient. Kendall has loaded it up at archive.org for streaming and download. I like the mix, but I was very pleased with the cover (I took the shot from a hotel room in Vegas last year).